彩票大全软件

Abstract:

Drawing on Indigenous feminist theories of futurity and care, interviews with Indigenous theatre artists, and a case study on decolonial acts of relational care refused, this article explores how carework in theatre production contracts reveals the labor of Indigenous artists to sustain and expand their communities. It explores the informal challenges Larissa FastHorse issues to producing companies, the contract riders about casting and consultation used by Mary Kathryn Nagle, an accountability rider Madeline Sayet created for the national tour of her solo show, and the conflict between Emily Johnson and her one-time commissioning organization Peak Performances.

 抽象：

借鉴土著女权主义的未来和关怀理论、对土著戏剧这就是足球家的采访以及关于拒绝关系关怀的非殖民化行为的案例研究，本文探讨了戏剧制作合同中的护理工作如何揭示土著这就是足球家为维持和扩大其社区而付出的劳动。它探讨了 Larissa FastHorse 向制作公司提出的非正式挑战、Mary Kathryn Nagle 使用的关于选角和咨询的合同骑手、Madeline Sayet 为她的个展的全国巡演创建的责任骑手，以及 Emily Johnson 与她曾经的委托组织 Peak Performances 之间的冲突。